JUBILATION! NEW MILLENNIUM FESTIVAL OF CHOIRS

In celebration of 25 years of Choral Music Experience and the Queen’s Diamond Jubilee; Monday 4 June 2012

Click here to book tickets NOW!

JUBILATION! - CME Institute and festival celebrating the 25th anniversary of CME, the Queen’s Diamond Jubilee on the weekend of 2-4 June 2012. The weekend will include a residency for teachers and choirs at Sarah Bonnell School led by Dr Doreen RaoMandy Miller and other members of the CME faculty. JUBILATION! will take place at the Royal Festival HallSouthbank Centre, at 5.30pm on Monday 4 June and includes the Dunfermline Junior Chorus from Scotland, Aspiro choir from Ireland, Dame Alice Owen’s School Senior Chamber Choir from North London, the NewYPC, Solid Harmony and City Academy choirs from East London, as well as a massed community ‘audience’ choir and many wonderful artists and musicians, including Randolph Matthews and Steve Lodder.

You can also read the news about JUBILATION! at www.musiceducationuk.com (opens new window).

Photo of the 'scratch' youth choir

Photo of the last of Living Song's Choral Teacher Training sessions in March 2012

The last of three Choral Music Experience-accredited Choral Teacher Training sessions took place at Sarah Bonnell School in the London Borough of Newham earlier this month. Hosted by Living Song and delivered by Mandy Miller, the sessions brought together 50 young people from Primary and Secondary schools across the borough to act as a model choir with whom teachers were able to practise their conducting. Eighteen teachers have received Choral Music Experience (CME) accreditation, and the choir will meet regularly to build its identity and repertoire, ready to participate in JUBILATION!

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CME accredited Choral Teacher Education 2011-12

Living Song is hosting the Choral Music Experience (CME) accredited Choral Teacher Training in London this year. It will be held on 3 Saturdays in November, January and March. The training is part of the JUBILATION! Festival celebrating the 25th Anniversary of CME, the Queen’s Diamond Jubilee and the Cultural Olympiad. The festival culminates in a weekend residency for teachers and International choirs in June 2012 at Sarah Bonnell School, Newham, East London and will lead to a massed choirs performance in Central London. The lead team will include Dr.Doreen Rao, Mandy Miller and other members of the CME faculty. For Further information, please contact Living Song.

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Song making and conflict resolution

Jane Wheeler has developed and delivered a range of song writing projects in collaboration with Bridget Belgrave, an NVC (Nonviolent Communication) trainer and Georgia Thorp, a freelance story teller using puppets, and a conflict resolution trainer.

‘Connect With Respect’ was a 10 week project aimed at bringing Btech music students to an awareness of how they can work together more enjoyably and effectively through developing empathy. The team included Bridget, Sparkii Ski, music producer and Jane. The students wrote, recorded and performed their songs in collaboration with each other while they explored connecting with respect. There is a full resource pack, including DVD available on line. http://www.life-resources-shop.com
Download Connect with Resepct Flyer (PDF)

On another occasion, Waltham Forest invited 60 pupils and their teachers from across 10 schools to attend a creative song writing day for Anti Bullying week. Continue reading

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Programme title: Journeys, the Musical

March – July 2011: In this programme, in a series of one off workshops over 2 terms,  a team of artists worked alongside teachers and pupils at Kensington Primary school, Newham, to help them create their own musical, about their own journeys. The team involved a collaborative songwriting facilitator, a Bangladeshi singing teacher, a creative drama specialist, costume maker and 2 young music mentors.

All of the school teachers were facilitated to create a song collaboratively, all of key stage 1 and all of key stage 2 also wrote their own songs. Continue reading

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Congratulations on LIVING SONG

I am Kel Bahra from Ranelagh Primary School, a teacher in year 5 this year, and I  have had the privelege of seeing you at work with young children. Our school has joined you over previous years in performances for NYPC and Igospel and we have thoroughly enjoyed the experiences.
I would like to congratulate you and wish you all the very best with the launch of LIVING SONG.

Kel Bahra
Ranelagh Primary School
Newham

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Course title: An Introduction to Songwriting

Date/time: Wednesday 6th July, 10am – 3.30pm
Training leader: Jane Wheeler

This course was requested by Sound Connections and offered delegates the opportunity to learn how to develop their skills in collaborative song making. We all have a voice and we all have songs within us. Through working together, using a variety of step by step processes, participants were guided on how to make up their own songs, arranging and singing them together and exploring ways to help and guide their pupils to do the same, whether for special occasions, or to enhance learning across the curriculum.

Audience: Teachers and teaching assistants in primary schools (key stages 1 and 2), whether they have any experience of singing and making music, or not.

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Child Protection and Safe Recruitment Policy

The team with Living Song believe that every child and young person regardless of age, gender, disability, colour, race, nationality, or ethnic or national origins, religious beliefs, sexual orientation has at all time and in all situations the right to feel safe and protected form any situation or practice that results in a child or young person being physically or psychologically damaged.

In our organisation, if we have suspicions about a participant’s physical, sexual or emotional well being, we will take action. We will protect our participants by:

  • Ensuring any worker, artist, musician, freelancer or volunteer that comes into contact with them has police and health checks, and follows our code of conduct of working with children and young people and vulnerable adults.
  • Ensuring new workers, artists, musicians, freelancers, volunteers or members of the organisation will complete a personal profile form.
  • Requesting previous addresses on volunteer/job application forms
  • Asking for names and two referees who will be prepared to give written reference.
  • Following up each reference with a phone call or personal contact during which we will discuss the applicant’s suitability to work with children and young people. a record of this discussion will be kept on the applicants file.
  • We will interview prospective workers, artists, musicians, freelancers or volunteers and observe them working in their current, or related context.
  • We will carry out a probationary period for all workers, artists, musicians, freelancers or volunteers and staff of a proportion of the project time or 3 months if 6months or longer
  • Regularly monitor and review our procedures on child and young people to ensure the safety of all the vulnerable people we work with.

All volunteers, freelancers and staff are encouraged to share concerns with the Living Song child protection officer. If the situation is clearly an urgent case, the child/venerable adult is too frightened to go home or there are very serious doubts about the child’s safety, we will contact social services or the police immediately.

If concerns about a child, young person or vulnerable adult are more general, then the matter will be discussed with the Living Song child protection officer who would then make a referral to social services who will make the necessary arrangements.

Code of Practice – Workshops

Living Song is committed to safeguarding the welfare of the children we work with and has established the following code of practice

  • All workers, artists, musicians, freelancer or volunteer are given clear and established roles for their education work
  • All existing workers, artists, musicians, freelancers or volunteers used by the organisation are police checked to ensure that no one has a conviction for criminal offences against children
  • When working with schools, all workshops are conducted in the presence of a teacher
  • Livng Song works in teams of at least two people, unless a relationship is already established with a group, in which case an individual may work alone
  • Children are always supervised at all times during projects, including lunch breaks and travel to and from the venue
  • Workshop leaders will be responsible for ensuring health and safety requirements are met in the working environment
  • Full evaluations are carried out after all workshops, completed by teachers/staff members, to ensure that any problems are aired and area addressed in the future.

Role and Responsibilities of the Designated Child Protection Person (DCPP)

Living Song has appointed  a designated child protection person who is responsible for dealing with any concerns about the protection of children. This person Jane Wheeler is contactable by web form on Contact Us page. On projects the Project Manager will be the first person to report to, s/he will then report to the Living Song DCPP

The role of the designated person is to:

  1. know which outside child protection agency to contact in the event of a child protection concern coming to the notice of the Board
  2. provide information and advice on child protection within the Board
  3. ensure that appropriate information is available at the time of referral and that the referral is confirmed in writing under confidential cover
  4. liaise with local social services and other agencies, as appropriate
  5. keep relevant people within the Board informed about any action taken and any further action required: for example, disciplinary action against a member for staff
  6. ensure that a proper record is kept of any referral and action taken, and this is kept safely and in confidence
  7. advise the Board of child protection training needs: and
  8. liase with the National Society for the Prevention of Cruelty to Children (NSPCC) to review the operation of the Child Protection Policy regularly to ensure the procedures are working and that it complies with current best practice.
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Teacher training in song writing facillitation

“I wanted to say a big thank you for leading such a great course yesterday. All the delegates expressed how much they enjoyed the experience and gave excellent feedback!” Helen Evans, Vocal Coordinator, Sound Connections, London E1. 07/07/11

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‘Journeys’ Kensington Primary Operetta

“What an incredible team! Our whole school, from Reception to Year 6 and all our staff had such a brilliant time creating this operetta and performing at Stratford Circus. Our parents were highly impressed with their children. Thank you so much!” Lando Du Ploy, Assistant Head Teacher, Kensington Primary, London Borough of Newham 13/07/11

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Accessibility policy

Students in Computer LabWe have tried to make this website as accessible as possible and easy to use for everyone, regardless of circumstance or ability.

All our page templates comply with the WCAG Priority 1 checkpoints as a minimum requirement. And we make every effort to ensure that all the content on our site meets this standard too.

We developed the design and layout of the site so that it can be used by blind or partially sighted users. It is compatible with screen readers and can be navigated without the use of a mouse or keyboard.

We are making every effort to ensure that we don’t exclude any users. For example:

  • We try to use clear and simple language.
  • We use alternative text for all our images
  • The HTML we produce conforms to the standard: XHTML 1.0 Transitional
  • We always include a text transcript when we publish videos on our blogs (or vlogs).
  • We have tested the colours we use in the design for contrast.

We try to publish all our text content as accessible HTML rather than in other formats such as PDF. Where we do publish PDFs or other formats our policy is to make them as accessible as we can.

We decided not to use access keys after they caused confusion in our user testing. (The users who might have benefited from access keys already used keyboard shortcuts, and said that additional, site-specific access keys were not helpful.)

Please contact us if you have any questions, if you are having difficulties using the site, or would like to know more about what we are doing to make our websites accessible.

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